{"id":9996,"date":"2018-04-14T00:05:28","date_gmt":"2018-04-13T23:05:28","guid":{"rendered":"http:\/\/puntocritico.com\/?p=9996"},"modified":"2026-01-25T12:04:19","modified_gmt":"2026-01-25T11:04:19","slug":"ausencia-de-malicia","status":"publish","type":"post","link":"https:\/\/puntocritico.com\/ausajpuntocritico\/2018\/04\/14\/ausencia-de-malicia\/","title":{"rendered":"LA LIBERTAD DE INFORMACI\u00d3N EN EL CINE: \u00abAusencia de malicia\u00bb (1981), de Sydney Pollack"},"content":{"rendered":"<div style=\"text-align: center;\">\n<h1 class=\"G7lr_ taFHO\"><span class=\"_1fHNK\">Ausencia de malicia (1981)<\/span><\/h1>\n<p><span style=\"font-size: 18pt; color: #008000;\">Dirigida por Sidney Pollack\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/mega.nz\/embed\/fUVyBSjA#_fLnxtDZNFwzy4955-5i3Ca6cZnz0LQbK0W9oSdCtWM\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<div>\u00a0<\/div>\n<div>\u00a0<\/div>\n<div style=\"text-align: center;\"><span style=\"color: #008000; font-size: 14pt;\">\u2666\u2666\u2666\u2666\u2666\u2666\u2666<\/span><\/div>\n<p>&nbsp;<\/p>\n<dl class=\"movie-info\">\n<dt><strong><a href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2018\/03\/absence_of_malice-512646164-mmed.jpg\" rel=\"lightbox[9996]\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-9999 alignright\" src=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2018\/03\/absence_of_malice-512646164-mmed.jpg\" alt=\"\" width=\"211\" height=\"325\" srcset=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2018\/03\/absence_of_malice-512646164-mmed.jpg 211w, https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2018\/03\/absence_of_malice-512646164-mmed-195x300.jpg 195w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/a><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\">T\u00edtulo original:\u00a0<\/span><\/strong><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\">Absence of Malice<\/span><\/dt>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>A\u00f1o:\u00a0<\/strong>1981<\/span><\/dt>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>Duraci\u00f3n:\u00a0<\/strong>116 min.<\/span><\/dt>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>Pa\u00eds:\u00a0<\/strong>\u00a0Estados Unidos<\/span><\/dt>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>Direcci\u00f3n:\u00a0<\/strong><span class=\"director\">Sydney Pollack<\/span><\/span><\/dt>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>Guion:\u00a0<\/strong>Kurt Luedtke<\/span><\/dt>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>M\u00fasica:\u00a0<\/strong>Dave Grusin<\/span><\/dt>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>Fotograf\u00eda:\u00a0<\/strong>Owen Roizman<\/span><\/dt>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>Reparto<\/strong><\/span><\/dt>\n<dd><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><span class=\"cast\">Paul Newman,<\/span>\u00a0<span class=\"cast\">Sally Field,<\/span>\u00a0<span class=\"cast\">Melinda Dillon,<\/span>\u00a0<span class=\"cast\">Bob Balaban,<\/span>\u00a0<span class=\"cast\">Wilford Brimley,<\/span><span class=\"cast\">Barry Primus,<\/span>\u00a0<span class=\"cast\">Luther Adler<\/span><\/span><\/dd>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>Productora:\u00a0<\/strong>Columbia Pictures<\/span><\/dt>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>G\u00e9nero:\u00a0<\/strong>Intriga\u00a0|\u00a0Periodismo<\/span><\/dt>\n<dt><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>Sinopsis:<\/strong><\/span><\/dt>\n<dd><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\">Una joven y ambiciosa periodista acusa de forma irresponsable en un art\u00edculo al hijo de un conocido g\u00e1ngster de ser el culpable de la desaparici\u00f3n de un l\u00edder sindical. El acusado, dedicado a un negocio de importaci\u00f3n de licores, idea un ingenioso plan para salir airoso de la acusaci\u00f3n. (FILMAFFINITY)<\/span><\/dd>\n<\/dl>\n<p><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><strong>Premios:<\/strong><\/span><\/p>\n<div class=\"margin-bottom\"><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\">1981: 3 nom. al Oscar: Mejor actor (Paul Newman), actriz sec. (Dillon) y gui\u00f3n<\/span><\/div>\n<div class=\"margin-bottom\"><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\">1981: 2 Nominaciones Globos de Oro: Actriz &#8211; Drama (Field) y gui\u00f3n<\/span><\/div>\n<div class=\"margin-bottom\"><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\">1981: Sindicato de Guionistas (WGA): Nominada a Mejor gui\u00f3n original drama<\/span><\/div>\n<div class=\"margin-bottom\"><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\">1982: Festival de Berl\u00edn: Secci\u00f3n oficial de largometrajes. Menci\u00f3n de honor<\/span><\/div>\n<div>\u00a0<\/div>\n<div>\u00a0<\/div>\n<div><span style=\"text-align: justify;\">\u00a0<\/span><\/div>\n<div>\n<p><a href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/author\/punto-critico\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9528 aligncenter\" src=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2018\/03\/Mosca_Punto_Cr\u00edtico_40.png\" alt=\"\" width=\"80\" height=\"80\" data-id=\"9528\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Ausencia de malicia (1981) Dirigida por Sidney Pollack\u00a0 &nbsp; \u00a0 \u00a0 \u2666\u2666\u2666\u2666\u2666\u2666\u2666 &nbsp; T\u00edtulo original:\u00a0Absence of Malice A\u00f1o:\u00a01981 Duraci\u00f3n:\u00a0116 min. Pa\u00eds:\u00a0\u00a0Estados Unidos Direcci\u00f3n:\u00a0Sydney Pollack Guion:\u00a0Kurt Luedtke M\u00fasica:\u00a0Dave Grusin Fotograf\u00eda:\u00a0Owen Roizman Reparto Paul Newman,\u00a0Sally Field,\u00a0Melinda Dillon,\u00a0Bob <a class=\"mh-excerpt-more\" href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/2018\/04\/14\/ausencia-de-malicia\/\" title=\"LA LIBERTAD DE INFORMACI\u00d3N EN EL CINE: \u00abAusencia de malicia\u00bb (1981), de Sydney Pollack\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":3,"featured_media":11021,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[10],"tags":[],"class_list":{"0":"post-9996","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-miscelanea"},"acf":[],"_links":{"self":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/posts\/9996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/comments?post=9996"}],"version-history":[{"count":0,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/posts\/9996\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/media\/11021"}],"wp:attachment":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/media?parent=9996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/categories?post=9996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/tags?post=9996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}