{"id":9337,"date":"2018-03-03T01:00:02","date_gmt":"2018-03-03T00:00:02","guid":{"rendered":"http:\/\/puntocritico.com\/?p=9337"},"modified":"2024-10-16T17:24:06","modified_gmt":"2024-10-16T15:24:06","slug":"libertad-de-prensa-en-el-cine-el-cuarto-poder-1952-deadline","status":"publish","type":"post","link":"https:\/\/puntocritico.com\/ausajpuntocritico\/2018\/03\/03\/libertad-de-prensa-en-el-cine-el-cuarto-poder-1952-deadline\/","title":{"rendered":"LA LIBERTAD DE PRENSA EN EL CINE &#8211; \u00abEl cuarto poder\u00bb, 1952 &#8211; (\u00abDeadline\u00bb)"},"content":{"rendered":"<div>\u00a0<\/div>\n<h2 style=\"text-align: center;\"><span style=\"color: #339966; font-size: 24pt;\">El cuarto poder (1952) &#8211; Deadline<\/span><\/h2>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/mega.nz\/embed\/WJthiZjQ#nqc5E-bA8GJK2yNdi4YJc7D7dtgOUfiBQl5q2GEyYTQ\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<div style=\"background: white; margin: 6pt 0cm; text-align: center;\">\u00a0<\/div>\n<div>\u00a0<\/div>\n<div style=\"text-align: center;\">\u2666<span style=\"color: #339966;\">\u2666<\/span>\u2666<span style=\"color: #339966;\">\u2666\u2666<\/span><\/div>\n<div>\u00a0<\/div>\n<div>\u00a0<\/div>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><a href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2018\/02\/deadline.jpg\" rel=\"lightbox[9337]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-9338 size-full\" src=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2018\/02\/deadline.jpg\" alt=\"Deadline\" width=\"295\" height=\"450\" srcset=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2018\/02\/deadline.jpg 295w, https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2018\/02\/deadline-197x300.jpg 197w\" sizes=\"auto, (max-width: 295px) 100vw, 295px\" \/><\/a><strong>T\u00edtulo original<\/strong>: Deadline &#8211; U.S.A. (Deadline USA)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>A\u00f1o<\/strong>: 1952<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>Duraci\u00f3n<\/strong>: 87 min.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>Pa\u00eds<\/strong>:\u00a0Estados Unidos<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>Direcci\u00f3n<\/strong>:\u00a0<span class=\"director\"><a title=\"Richard Brooks\" href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=director&amp;sn&amp;stext=Richard%20Brooks\" target=\"_blank\" rel=\"noopener\">Richard Brooks<\/a><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>Guion<\/strong>: Richard Brooks<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>M\u00fasica<\/strong>: Cyril Mockridge<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>Fotograf\u00eda<\/strong>: Milton Krasner (B&amp;W)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>Reparto<\/strong>:\u00a0<span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Humphrey%20Bogart\" target=\"_blank\" rel=\"noopener\">Humphrey Bogart<\/a>,<\/span>\u00a0<span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Ethel%20Barrymore\" target=\"_blank\" rel=\"noopener\">Ethel Barrymore<\/a>,<\/span>\u00a0<span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Kim%20Hunter\" target=\"_blank\" rel=\"noopener\">Kim Hunter<\/a>,<\/span>\u00a0<span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Ed%20Begley\" target=\"_blank\" rel=\"noopener\">Ed Begley<\/a>,<\/span>\u00a0<span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Warren%20Stevens\" target=\"_blank\" rel=\"noopener\">Warren Stevens<\/a>,<\/span><span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Paul%20Stewart\" target=\"_blank\" rel=\"noopener\">Paul Stewart<\/a>,<\/span>\u00a0<span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Martin%20Gabel\" target=\"_blank\" rel=\"noopener\">Martin Gabel<\/a>,<\/span>\u00a0<span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Joe%20De%20Santis\" target=\"_blank\" rel=\"noopener\">Joe De Santis<\/a>,<\/span>\u00a0<span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Joyce%20Mackenzie\" target=\"_blank\" rel=\"noopener\">Joyce Mackenzie<\/a>,<\/span>\u00a0<span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Audrey%20Christie\" target=\"_blank\" rel=\"noopener\">Audrey Christie<\/a>,<\/span><span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Fay%20Baker\" target=\"_blank\" rel=\"noopener\">Fay Baker<\/a>,<\/span>\u00a0<span class=\"cast\"><a href=\"https:\/\/www.filmaffinity.com\/es\/search.php?stype=cast&amp;sn&amp;stext=Jim%20Backus\" target=\"_blank\" rel=\"noopener\">Jim Backus<\/a><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>Productora<\/strong>: Twentieth Century-Fox<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>G\u00e9nero<\/strong>:\u00a0<a href=\"https:\/\/www.filmaffinity.com\/es\/moviegenre.php?genre=DR&amp;attr=rat_count&amp;nodoc\" target=\"_blank\" rel=\"noopener\">Drama<\/a>\u00a0|\u00a0<a href=\"https:\/\/www.filmaffinity.com\/es\/movietopic.php?topic=524594&amp;attr=rat_count&amp;nodoc\" target=\"_blank\" rel=\"noopener\">Crimen<\/a>.\u00a0<a href=\"https:\/\/www.filmaffinity.com\/es\/movietopic.php?topic=851449&amp;attr=rat_count&amp;nodoc\" target=\"_blank\" rel=\"noopener\">Periodismo<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\"><strong>Sinopsis<\/strong>: Cuando el &#8216;New York Day&#8217; est\u00e1 a punto de ser vendido por sus propietarios, Ed Hutcheson, el editor del peri\u00f3dico, decide sacar a la luz los turbios negocios de un importante jefe mafioso. (<a href=\"https:\/\/www.filmaffinity.com\/es\/film572257.html\" target=\"_blank\" rel=\"noopener\">FILMAFFINITY<\/a>)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>\u00a0 El cuarto poder (1952) &#8211; Deadline \u00a0 \u00a0 \u2666\u2666\u2666\u2666\u2666 \u00a0 \u00a0 T\u00edtulo original: Deadline &#8211; U.S.A. (Deadline USA) A\u00f1o: 1952 Duraci\u00f3n: 87 min. Pa\u00eds:\u00a0Estados Unidos Direcci\u00f3n:\u00a0Richard Brooks Guion: Richard Brooks M\u00fasica: Cyril Mockridge Fotograf\u00eda: <a class=\"mh-excerpt-more\" href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/2018\/03\/03\/libertad-de-prensa-en-el-cine-el-cuarto-poder-1952-deadline\/\" title=\"LA LIBERTAD DE PRENSA EN EL CINE &#8211; \u00abEl cuarto poder\u00bb, 1952 &#8211; (\u00abDeadline\u00bb)\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":3,"featured_media":9343,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-9337","post","type-post","status-publish","format-standard","has-post-thumbnail","category-miscelanea"],"acf":[],"_links":{"self":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/posts\/9337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/comments?post=9337"}],"version-history":[{"count":0,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/posts\/9337\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/media\/9343"}],"wp:attachment":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/media?parent=9337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/categories?post=9337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/tags?post=9337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}