{"id":7761,"date":"2017-12-31T01:20:28","date_gmt":"2017-12-31T00:20:28","guid":{"rendered":"http:\/\/puntocritico.com\/?p=7761"},"modified":"2024-12-12T14:36:41","modified_gmt":"2024-12-12T13:36:41","slug":"feliz-anyo-nuevo","status":"publish","type":"post","link":"https:\/\/puntocritico.com\/ausajpuntocritico\/2017\/12\/31\/feliz-anyo-nuevo\/","title":{"rendered":"\u00a1FELIZ A\u00d1O 2018!"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"color: #008000; font-size: 18pt;\"><strong>\u00a0CULTERANISMO Y CONCEPTISMO: Las dos Espa\u00f1as en la literatura del Siglo de Oro<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/billete-quevedo.jpg\" rel=\"lightbox[7761]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7934 size-full\" src=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/billete-quevedo.jpg\" alt=\"\" width=\"332\" height=\"152\" srcset=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/billete-quevedo.jpg 332w, https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/billete-quevedo-300x137.jpg 300w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>SONETO DE QUEVEDO CONTRA DON LUIS DE G\u00d3NGORA Y SU POES\u00cdA<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\">Este c\u00edclope, no siciliano,<br \/>\ndel microcosmo s\u00ed, orbe postrero;<br \/>\nesta ant\u00edpoda faz, cuyo hemisferio<br \/>\nzona divide en t\u00e9rmino italiano;<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\">este c\u00edrculo vivo en todo plano;<\/span><br \/>\n<span style=\"font-size: 14pt;\">este que, siendo solamente cero,<\/span><br \/>\n<span style=\"font-size: 14pt;\">le multiplica y parte por entero<\/span><br \/>\n<span style=\"font-size: 14pt;\">todo buen abaquista veneciano;<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\">el minoculo s\u00ed, mas ciego vulto;<\/span><br \/>\n<span style=\"font-size: 14pt;\">el resquicio barbado de melenas;<\/span><br \/>\n<span style=\"font-size: 14pt;\">esta cima del vicio y del insulto;<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\">\u00e9ste, en quien hoy los pedos son sirenas,<\/span><br \/>\n<span style=\"font-size: 14pt;\">\u00e9ste es el culo, en G\u00f3ngora y en culto,<\/span><br \/>\n<span style=\"font-size: 14pt;\">que un bujarr\u00f3n le conociera apenas.<\/span><\/p>\n<p><a href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/Firma_de_Francisco_de_Quevedo.gif\" rel=\"lightbox[7761]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7923\" src=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/Firma_de_Francisco_de_Quevedo.gif\" alt=\"\" width=\"286\" height=\"110\" \/><\/a><\/p>\n<p style=\"text-align: center;\">*****<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/gongora-y-quevedo.jpg\" rel=\"lightbox[7761]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7928 size-mh-magazine-content\" src=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/gongora-y-quevedo-678x381.jpg\" alt=\"\" width=\"678\" height=\"381\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">*****<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><b>SONETO DE LUIS DE G\u00d3NGORA A DON FRANCISCO DE QUEVEDO<\/b><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\">Anacreonte espa\u00f1ol, no hay quien os tope,<\/span><br \/>\n<span style=\"font-size: 14pt;\"> que no diga con mucha cortes\u00eda,<\/span><br \/>\n<span style=\"font-size: 14pt;\"> que ya que vuestros pies son de eleg\u00eda,<\/span><br \/>\n<span style=\"font-size: 14pt;\"> que vuestras suavidades son de arrope.<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\">\u00bfNo imitar\u00e9is al terenciano Lope,<\/span><br \/>\n<span style=\"font-size: 14pt;\"> que al de Belerofonte cada d\u00eda<\/span><br \/>\n<span style=\"font-size: 14pt;\"> sobre zuecos de c\u00f3mica poes\u00eda<\/span><br \/>\n<span style=\"font-size: 14pt;\"> se calza espuelas y le da un galope?<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\">Con cuidado especial vuestros anteojos<\/span><br \/>\n<span style=\"font-size: 14pt;\"> dicen que quieren traducir al griego,<\/span><br \/>\n<span style=\"font-size: 14pt;\"> no habi\u00e9ndolos mirado vuestros ojos.<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\">Prest\u00e1dselos un rato a mi ojo ciego,<\/span><br \/>\n<span style=\"font-size: 14pt;\"> porque a luz saque ciertos versos flojos,<\/span><br \/>\n<span style=\"font-size: 14pt;\"> y entender\u00e9is cualquier greg\u00fcesco luego.<\/span><\/p>\n<p style=\"text-align: left;\"><b><i>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/i><br \/>\n<a href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/firma-de-gongora.jpg\" rel=\"lightbox[7761]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7925 size-full\" src=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/firma-de-gongora.jpg\" alt=\"\" width=\"257\" height=\"196\" srcset=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/firma-de-gongora.jpg 257w, https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/firma-de-gongora-80x60.jpg 80w\" sizes=\"auto, (max-width: 257px) 100vw, 257px\" \/><\/a><br \/>\n<\/b><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #339966; font-size: 14pt;\">\u2666\u2666\u2666\u2666\u2666\u2666\u2666\u2666<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #339966; font-size: 24pt;\"><strong>CLIENTE MUERTO NO PAGA (1982)<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/mega.nz\/embed\/ON1HVIjJ#WKy2eMCxSk-6-QyRNvb4bCfN8g6BIaoZZlFPJluVrfQ\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<div style=\"text-align: center;\">\u00a0<\/div>\n<p style=\"text-align: center;\"><span style=\"color: #339966; font-size: 14pt;\">\u2666\u2666\u2666\u2666<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 14pt;\"><a href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/dead_men_don_t_wear_plaid-969312466-large.jpg\" rel=\"lightbox[7761]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7809\" src=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/dead_men_don_t_wear_plaid-969312466-large.jpg\" alt=\"\" width=\"360\" height=\"571\" srcset=\"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/dead_men_don_t_wear_plaid-969312466-large.jpg 476w, https:\/\/puntocritico.com\/ausajpuntocritico\/wp-content\/uploads\/2017\/12\/dead_men_don_t_wear_plaid-969312466-large-189x300.jpg 189w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/a><\/span><\/span><\/strong><\/p>\n<p><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">T\u00edtulo original Dead Men Don&#8217;t Wear Plaid.\u00a0<\/span><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">A\u00f1o1982. Duraci\u00f3n 89 min.<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">Pa\u00eds<span id=\"country-img\"><img decoding=\"async\" title=\"Estados Unidos\" src=\"https:\/\/www.filmaffinity.com\/imgs\/countries\/US.jpg\" alt=\"Estados Unidos\" \/><\/span>\u00a0Estados Unidos<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">Direcci\u00f3n\u00a0<span class=\"director\">Carl Reiner<\/span><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">Guion\u00a0<span class=\"nb\">Steve Martin,<\/span>\u00a0<span class=\"nb\">Carl Reiner,<\/span>\u00a0<span class=\"nb\">George Gipe\u00a0<\/span><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">M\u00fasica\u00a0<span class=\"nb\">Mikl\u00f3s R\u00f3zsa<\/span><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">Fotograf\u00eda\u00a0<span class=\"nb\">Michael Chapman (B&amp;W)<\/span><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">Reparto\u00a0<span class=\"cast\">Steve Martin,<\/span>\u00a0<span class=\"cast\">Rachel Ward,<\/span>\u00a0<span class=\"cast\">Carl Reiner,<\/span>\u00a0<span class=\"cast\">Reni Santoni,<\/span>\u00a0<span class=\"cast\">George Gaynes,<\/span><span class=\"cast\">Francis X. McCarthy,<\/span>\u00a0<span class=\"cast\">Adrian Ricard<\/span><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">Productora\u00a0<span class=\"nb\">Universal Pictures<\/span><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">G\u00e9nero\u00a0Comedia.\u00a0Cine negro.\u00a0Intriga\u00a0|\u00a0Parodia.\u00a0Neo-noir.\u00a0A\u00f1os 40.\u00a0Pel\u00edcula de culto<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\"><strong>Sinopsis:<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: georgia, palatino, serif; font-size: 14pt;\">Rigby Reardon es el mejor de los sabuesos. Es un tipo duro, dispuesto a investigar lo que sea. Juliet Forrest lo contrata para que investigue la misteriosa muerte de su padre, un c\u00e9lebre cient\u00edfico, fil\u00e1ntropo y fabricante de quesos. Reardon enseguida huele algo sospechoso, y sigue un intrincado laberinto de pistas que le llevan a las \u201cCarlotta Lists\u201d. Contando con la ayuda de algunos colegas, intentar\u00e1 atrapar a los culpables. (FILMAFFINITY)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: georgia, palatino, serif;\"><strong><span style=\"font-size: 14pt;\">Criticas:<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\">\u00abUn homenaje definitivo al cine negro. (&#8230;) de repente, el espectador se queda boquiabierto cuando aparecen en la pantalla nada menos que Bogart, Ava Gardner, Alan Ladd, Barbara Stanwyck y muchos otros iconos del g\u00e9nero (&#8230;) un hilarante collage (&#8230;) Una gozada.\u00bb<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>\u00a0CULTERANISMO Y CONCEPTISMO: Las dos Espa\u00f1as en la literatura del Siglo de Oro &nbsp; SONETO DE QUEVEDO CONTRA DON LUIS DE G\u00d3NGORA Y SU POES\u00cdA Este c\u00edclope, no siciliano, del microcosmo s\u00ed, orbe postrero; esta <a class=\"mh-excerpt-more\" href=\"https:\/\/puntocritico.com\/ausajpuntocritico\/2017\/12\/31\/feliz-anyo-nuevo\/\" title=\"\u00a1FELIZ A\u00d1O 2018!\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":3,"featured_media":7763,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[10],"tags":[143],"class_list":["post-7761","post","type-post","status-publish","format-standard","has-post-thumbnail","category-miscelanea","tag-quevedo"],"acf":[],"_links":{"self":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/posts\/7761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/comments?post=7761"}],"version-history":[{"count":0,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/posts\/7761\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/media\/7763"}],"wp:attachment":[{"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/media?parent=7761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/categories?post=7761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/puntocritico.com\/ausajpuntocritico\/wp-json\/wp\/v2\/tags?post=7761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}